Remnants and the [Qingci]
August 2, 2025 - November 2, 2025
On the afternoon of August 2, 2025, "Remnants and the [Qingci]"—the solo exhibition of Thai artist-in-residence Pim Sudhikam—was successfully inaugurated at the Longquan Research Institute of Jingdezhen Ceramic University.
The exhibition presents 17 selected ceramic works/series created during Pim's residency, showcasing her profound artistic contemplation on ceramic materiality and innovative dialogue with traditional Longquan celadon techniques. Through these pieces, the artist explores the intersection of contemporary ceramic expression and ancient celadon heritage.
Learn More About This Exhibition
Selected Works on Display/部分展出作品
About Artist/关于艺术家
Pim Sudhikam currently lives and works in Bangkok, Thailand. She is currently an Associate Professor of Design at Chulalongkorn University and the Vice President of the International Academy of Ceramics. Sudhikam's diverse body of work encompasses pottery, objets d'art, sculpture, installations, site-specific permanent installations, and interactive public art projects.Sudhikam has taken part in numerous exhibitions, symposiums, and artist residencies both within Thailand and on an international scale. In 2024, she was selected for the Bangkok Art Biennale. Her recent works were included in Bangkok Art Biennale (BAB2024), Womanifesto: Flowing Connections (Bangkok Arts and Culture Center, Thailand, 2023), POTs: the Vessels (The National Gallery Bangkok, Thailand, 2023), AltaCollezione/High Collection (Museo Raffaele Bendandi, Italy, 2023), The International ClujCeramics Biennale 2019 (Museum of Cluj-Napoca, Romania, 2019), One Ton (ARTIST+RUN, Thailand, 2019).
Pim Sudhikam is a material-based artist/maker who specialized in clay-based creations. She views the act of making as a potent mode of artistic self-expression, and her works emerge from the dynamic interplay between her ideas, the inherent qualities of clay, and her craftsmanship.Inspired by industrially manufactured forms, Sudhikam is especially fascinated by the transformations and deterioration these forms undergo when exposed to the natural world. This evokes a reflection on humanity's efforts to mold and control its surroundings, juxtaposed with the ultimate supremacy of natural processes. She values the concept of engaging in dialogue with others through the medium of clay, viewing it as a vehicle for expressing and deciphering intricate phenomena.
Pim Sudhikam，现生活与工作于泰国曼谷。她担任朱拉隆功大学设计学院副教授，是现任联合国教科文组织国际陶艺学会副主席。她的作品体系丰富多元，涵盖陶艺、艺术器物、雕塑、装置艺术、场域特定永久装置以及互动性公共艺术项目。她活跃于泰国本土及国际艺术舞台，2024年入选曼谷艺术双年展，多次参与国内外的重要展览、学术研讨会和艺术家驻留项目，近年代表作参展记录包括：曼谷艺术双年展（BAB 2024）《女性宣言：流动的联结》（曼谷艺术文化中心，泰国，2023）《容器》（泰国国家美术馆，2023）《高端收藏》（拉法埃莱·本丹迪博物馆，意大利，2023）2019克卢日国际陶瓷双年展（克卢日-纳波卡博物馆，罗马尼亚）《一吨》（ARTIST+RUN艺术空间，泰国，2019）
Pim Sudhikam是一位专注于黏土创作的艺术家。她将创作过程视为一种强烈的艺术自我表达方式，其作品诞生于艺术理念、陶土特质与工艺技术三者的动态交融之中。受工业化制造形态的启发，她特别着迷于这些形态在自然环境中经历的蜕变与衰败过程，由此引发对人类试图塑造和控制环境的思考——这种努力在自然力量的终极权威面前显得尤为微妙。她推崇以陶土为媒介展开对话的理念，将其视为表达与诠释复杂现象的重要载体。